ART OF NOISE MOMENTS IN LOVE ALBUM COVER FULL
This version is slightly shorter than the full extended Moments In Love mix, on 'The Best Of The Art Of Noise' album. I haven't heard the original in a long time. My cover version of a classic Art Of Noise track. Very cool chill out version, i dig it, really like the vox panning and lead :) Comment by Cosmic Address, Pacific Deep & Thanks! Comment by Cosmic Address, Pacific Deep & Thanks for listening Peter, and your great feedback! Comment by Matthew Peterson Loving it Raymond - it was one of my fav tracks in the day Comment by RoutineZero For song requests or to support the channel and my goal of covering 10,000 songs, click on the link and leave me a note. This song will forever be classic and I had no idea it was originally released in the 80s.
Just right - and sterling clean production Comment by RoutineZero What’s up y’all here’s another song for you to get into. Comment by RoutineZeroĮvolving and very cool matey x Comment by RoutineZero Love it, brings back a number of memories. Very good job!! sounds a lot like the quiet storm version, My Fav!! Comment by Carly (PoohBear\PB) This was remixed and released as a single in 1985 after being first released in 1983 where it was a moderate hit on the US R&B Singles chart. What a lovely piano! Comment by Tashawna Beeks Whoa! this is super nice! Comment by isunray Ill list those used on the style and on the Set Lists: Drum: Pop Kit 1 AmbPerc: Slice FX KitBass: Digi Bass 1Acc1: Whist. The reverbs almost an additional instrument! Comment by isunrayīeautiful and delicate Comment by isunray I love the panning on the fairlight! Comment by isunray Vibrophone, Glockenspiel and other samples from Reason factory library.Ĭool track - great instrumentation Comment by isunray Intro Piano - Propellerhead Parsec 2 (with some Synapse Antidote synths providing background atmosphere)Īlso used - Zero, Thor, Renoun Reverb, Synapse DR-1 Deep Reverb, u-he UHBIK-T, Kings of Kong (TR66 kit), Softube Saturation, iZotope Ozone, Chenille Chorus, Synapse AF-4 Analog Filter, Kuassa EVE AT-1, String Pad - Roland JX-8P + Dave Smith Mopho X4.īass - Roland JU-06 + Fairlight acoustic bass sample from Bitley WBFīreathy Sararr - Classic Fairlight samples from Bitley WBF This cover is produced using Propellerhead Reason, featuring the following synths and samples: Printed in Western Germany by TOPAC, Gesellschaft für Tonträger-Verpackung mbH, Gütersloh. The elephant lives Distributed by the Ariola Group of Companies.
This record is number ninety one in the fast Incidental Series.
This version is slightly shorter than the full extended Moments In Love mix, on "The Best Of The Art Of Noise" album. Music published by Perfect Records and Unforgettable Songs. A similarly covered CD, only in pink (and released two years later), is also called "The Best Of" but focuses more on the group's album tracks.My cover version of a classic Art Of Noise track. The vinyl version contains the (sometimes preferable) single mixes the CD and cassette contain 12" remixes, good for the collector, bad on the patience. But soon, after their break with ZTT and joining China Records, it wasn't long until they were parodying themselves and trying to score pop hits with a recognizable "sound." Singles featured older pop stars trying to score a hit again ( Duane Eddy on "Peter Gunn," Tom Jones on "Kiss"), current celebrities riding their own popularity wave (Max Headroom), or cover songs gussied up with a few more car starting sounds (the made-for-hire "Dragnet '88," used in the regrettable film remake). While nothing beats the original version(s), this is nonetheless a beautiful cover of The Art of Noise's seminal classic. It was like Dada had invaded the charts, circa 1984. Many of the defects found in a VG+ record will be more pronounced in a VG disc. The 1-2-3 rush of "Beat Box," "Moments in Love," and "Close (To the Edit)" make this CD worth the money already - at the time of their release, these singles swiped electronic music back from America (by way of Germany) and cut the whole thing up with ridiculous samples (a car starting, the omnipresent orchestral hit) and enjoyable art school posturing. As an overview of Art of Noise's brief output, this best-of can't be beat, though it does inadvertently track their slide from forerunners to recyclers and cultural panderers.
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